Rumor has it that the final chapter, “Rurouni Kenshin: The Legend Ends,” is a giant, two-hour-plus action extravaganza. And while the expansively imagined, patiently paced project feels far more substantive than a crass cash grab, the conflicted character spends most of the first sequel, “Rurouni Kenshin: Kyoto Inferno,” slowly coming to grips with his burden, leaving things not on a cliffhanger, but in the lurch, with a shocking evasion of violence. Japan has commissioned a pair of back-to-back follow-ups, opening Aug. That’s an admirable quality, until one realizes he’s susceptible to the same sequel pressures as anyone else: When the reluctant samurai laid down his sword in “ Rurouni Kenshin,” he didn’t factor in the pic’s stunning $37 million domestic box office. Unlike most heroes of the Japanese swordplay genre, Himura Kenshin refuses to kill.
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